magnolia Magnolia

A Florida Journal of Literary & Fine Arts

George Moore

Signature 

The handwriting is not made
of particles of ink, or it is a stain,
an intrusion, an act of fraud,
for the letter carries no blood.

In the world after the world
war, you mark the manners by
which we breed, continue, love
less than before. This hook that

has capitalized your interest,
the Latinate that lingers on
onion skin, in its final stages
of initialization.  It suspends us

now, like a trapeze artist, over
the vortex of your disappearance.
Ink is such a simple thing, chemical,
molecular, re-agents color,

but your last word is Mandelbrot
made into a new fractaled world.
Your signature on the mundane
hinges with a door into her

memory, as I see her reading it
again.  It is only the banks
of a river against which
the name itself must swim.

 

Evolution
       for Buck

To the irreversible order of things
I dedicate my life—not the present,
but to that lie that lives on through

memories—the indelible stain on
the surface of everyday things.  I
remember you coming in flustered

but alert, the last woman in your life
distanced by your inability to say
here, now, always.  And yet a child

grew from the hurt.  There was never
a consciousness of abandonment.
You simply walked away, back into

the Tet, the island of men surrounded,
and you but a messenger with a small
handgun.  There was no going back

or forward from then.  We would
fish like it was the end of the world,
and that world out of which we evolved

I owe nothing, the circularity of sadness,
the ineradicable vacuum of rest,
the passage of time—not its movement

but the tunnel through which it lets us
sees on into the virtual space of hope.
Without which, it would be impossible

to proceed, living out the backward
permanence of our own failures, yours
and mine, our bridge to being.

 

 

Postmodern War Zone

Last week it was barbeques
and the neighbors were alive.
Now they talk over there
in the other room, beyond
the wall, of fire storms and
roadside bombs, like they
were snake farms in Nevada.
The insurgency sounds so
much like a flower blossoming
in spite of its bees.  IEDs. 
And what was a world away
turns, revolves, through
the same space, a day later.
Where you are standing
becomes the place unevolved
for centuries, distilled instead,
refined down to this absolutely
postmodern moment.  News
is only a map.  The surface
of our two worlds are flat as
any ancient belligerency.
What healing can take place
when glass is fused from sand?
Whatever we have done
runs counter to what we are
only for the briefest moment.
We inhabit our lives.

Potsdamer
 
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